2017年雅思考試聽力輔導(dǎo)訓(xùn)練試題

　　自古以來學(xué)有建樹的人，都離不開一個“苦”字。以下是小編為大家搜索整理的2017年雅思考試聽力輔導(dǎo)訓(xùn)練試題，希望對正在關(guān)注的您有所幫助!更多精彩內(nèi)容請及時關(guān)注我們應(yīng)屆畢業(yè)生考試網(wǎng)!

　　Hi, Joanna, good to meet you.

　　你好，Joanna，很高興見到你。

　　Now, before we discuss your new research project,

　　在我們討論你的新研究項目之前，

　　I'd like to hear something about the psychologystudy you did last year for your Master's degree.

　　我想聽一聽你去年讀碩士的時候做過的心理學(xué)研究。

　　So how did you choose your subjects for that?

　　你當(dāng)時是怎么選擇的研究對象?

　　Well, I had six subjects, all professional musicians,and all female.

　　我有六個研究對象，全都是專業(yè)的音樂家，而且都是女性。

　　Three were violinists and there was also a cello player and a pianist and a flute player.

　　其中三位是小提琴家，還有一位大提琴演奏家，一位鋼琴家和一位長笛演奏家。

　　They were all very highly regarded in the music world and they'd done quite extensive tours indifferent continents,

　　她們在音樂界聲望都很高，而且在不同大洲還做過大量的巡回演出，

　　and quite a few had won prizes and competitions as well.

　　她們中不少還贏過一些獎項和比賽。

　　And they were quite young, weren't they?

　　而且她們還都相當(dāng)年輕，對吧?

　　Yes, between 25 and 29 — the mean was 27.8.

　　是的，都在25-29歲之間，平均年齡是27.8。

　　I wasn't specifically looking for artists who'd produced recordings

　　我本來并沒有一定要找出過專輯的藝術(shù)家，

　　but this is something that's just taken for granted these days and they all had.

　　但是最近這件事直接被當(dāng)成理所當(dāng)然的了，而且她們?nèi)�都出過專輯。

　　Right. Now you collected your data through telephone interviews, didn't you?

　　好吧，你是通過電話采訪收集的資料，對嗎?

　　Yes. I realised if I was going to interview leading musicians it'd only be possible over the phonebecause they're so busy.

　　是的，我知道如果要采訪這些重要的音樂家的話，就只能通過電話才有可能了，因為她們都特別忙。

　　I recorded them using a telephone recording adaptor.

　　我用一個電話錄音轉(zhuǎn)接器把跟她們的談話內(nèi)容錄了下來。

　　I'd been worried about the quality, but it worked out all right.

　　我之前一直擔(dān)心錄音的音質(zhì)，不過結(jié)果發(fā)現(xiàn)還不錯。

　　I managed at least a 30-minute interview with each subject, sometimes longer.

　　我設(shè)法和每位研究對象進行了一段至少30分鐘的采訪，有的時間更長。

　　Did doing it on the phone make it more stressful?

　　通過電話采訪有沒有讓你覺得壓力更大?

　　I'd thought it might...it was all quite informal though and in fact they seemed very keen totalk.

　　我本來以為會這樣沒錯......但是這些采訪都沒有那么正式，而且她們事實上似乎都很愿意談話。

　　And I don't think using the phone meant I got less rich data rather the opposite in fact.

　　我覺得用電話采訪并不意味著我收集到的資料就沒有那么多，實際上正好相反。

　　Interesting. And you were looking at how performers dress for concert performances?

　　有意思。你還研究了演奏家在音樂會上演出時的穿著?

　　That's right. My research investigated the way players see their role as a musician

　　沒錯，我研究調(diào)查了演奏者將她們自己定位成音樂家的方式，

　　and how this is linked to the type of clothing they decide to wear.

　　以及這和她們決定穿哪種服裝有什么聯(lián)系。

　　But that focus didn't emerge immediately.

　　但我并不是馬上就想到了這一點。

　　When I started I was more interested in trying to investigate the impact of what was worn onthose listening,

　　在研究最開始的時候，我對試著調(diào)查聽眾對她們穿的衣服的效果更加感興趣，

　　and also whether someone like a violinist might adopt a different style of clothing from saysomeone playing the flute or the trumpet.

　　以及比如一位小提琴家是否會穿得跟長笛或者喇叭演奏者不同。

　　It's interesting that the choice of dress is up to the individual, isn't it?

　　每個人都有權(quán)選擇他們的服裝這件事還蠻有意思的，對吧?

　　Yes, you'd expect there to be rules about it in orchestras, but that's quite rare.

　　是的，我們原本以為管弦樂隊對服裝會有規(guī)定，但是這一現(xiàn)象非常少。

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